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A Plate from the Cloisters Apocalypse
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A Plate from the Cloisters Apocalypse

One of 72 miniatures illustrating the Book of Revelation in Gothic Normandy.

Work
Illustrated Apocalypse manuscript
Artist / creator
Unknown Norman illuminator
Origin & date
Normandy, France, c. 1330
Held by
The Metropolitan Museum of Art, The Cloisters

Format

The full-resolution color-managed file — yours to print, study, and keep.

Sized to protect print quality — this scan's resolution supports sizes up to 8x10 cleanly.

Size

$24.00

The story

The Cloisters Apocalypse illustrates the Book of Revelation with 72 half- and full-page miniatures across just 40 folios — an extraordinarily high ratio of image to text that makes it read almost like a graphic novel of the end of the world. Made in Normandy around 1330, likely for a member of the de Montigny family (whose partially erased coat of arms survives on a dedication leaf), it belongs to a distinct genre of illustrated apocalypse manuscripts that flourished in thirteenth- and fourteenth-century England and France, translating John of Patmos's visions — beasts, trumpets, seals, the New Jerusalem — into a continuous visual sequence. The palette is cooler and more linear than contemporary French court illumination, closer to stained glass in its saturated blues and reds. It has been held by the Met's Cloisters museum, devoted to medieval European art, since 1968.

About this reproduction

  • Faithful reproduction of a public-domain work, sourced from The Metropolitan Museum of Art, The Cloisters’s open-access release.
  • Printed to order on archival cotton-rag stock, pigment inks rated 100+ years.
  • Color-managed to the source scan.
  • Ships in 5–8 business days; satisfaction guaranteed.

See it framed

A Plate from the Cloisters Apocalypse, framed in the Marble Foyer

Room

Frame

Shown as a 8x10″ archival print, true to the piece's own proportions, on a real photographed wall.

From The Sacred Page