THE SCRIPTORIUM
The Griffin, Guardian of Gold
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The Griffin, Guardian of Gold

Lion below, eagle above — a hoarder of northern gold, and no coward when confronted.

Work
Bestiary (Rochester Bestiary)
Artist / creator
Unknown English illuminator (made for the Benedictine priory of St Andrew, Rochester)
Origin & date
Rochester, England, c. 1230
Held by
The British Library

Format

The full-resolution color-managed file — yours to print, study, and keep.

Sized to protect print quality — this scan's resolution doesn't clear our floor for a physical print, so this piece is offered as a digital download only.

Size

$24.00

The story

Lion below the shoulders, eagle above, the griffin combines the two most feared creatures of land and sky into one: strong enough, medieval writers held, to carry off a fully grown horse and its rider in its talons. This border miniature catches the confrontation head-on — a mounted knight, sword raised overhead, closing on a griffin that has already turned to meet him, wings still spread from flight. Bestiaries placed the griffin among the beasts of the far north, guarding rich veins of gold in the mountains from any human who came near, which made it, for medieval readers, both a genuine zoological curiosity and a byword for jealously hoarded treasure. Unlike most of the Aberdeen Bestiary's animals, no griffin folio survives in that manuscript at all — the leaf was lost centuries ago — so this piece is drawn instead from the Rochester Bestiary, its gold-ground cousin.

About this reproduction

  • Faithful reproduction of a public-domain work, sourced from The British Library’s open-access release.
  • Printed to order on archival cotton-rag stock, pigment inks rated 100+ years.
  • Color-managed to the source scan.
  • Ships in 5–8 business days; satisfaction guaranteed.

See it framed

The Griffin, Guardian of Gold, framed in the Marble Foyer

Room

Frame

This scan's resolution is offered as a digital download only, so there's no physical size to frame here — shown for reference, true to the piece's own proportions.

From Bestiary & Marginalia